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Grass Seed Dreaming Pantjiya-nungurrayi-tag His work resonated with a

Grass Seed Dreaming Pantjiya-nungurrayi-tag His work resonated with aIn many of Barbara Weirs paintings, long, tapering lines overlap gracefully to represent a grass once abundant at Utopia before cattle grazing was introduced in the early 20th century. Its botanical name is Portulaca oleracea. For thousands of years, this grass has been important to Aboriginal people because its small black seeds can be ground into flour. Rather than painting the seeds, Weir depicts the grass itself. Her colours show its natural

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Description

His work resonated with a profound sense of spirituality

serves as a profound representation of the Tingari Cycle

In many paintings of this Jukurrpa

Some of his subjects are dingo

Grass Seed Dreaming Pantjiya-nungurrayi-tag His work resonated with aIn many of Barbara Weirs paintings, long, tapering lines overlap gracefully to represent a grass once abundant at Utopia before cattle grazing was introduced in the early 20th century. Its botanical name is Portulaca oleracea. For thousands of years, this grass has been important to Aboriginal people because its small black seeds can be ground into flour. Rather than painting the seeds, Weir depicts the grass itself. Her colours show its natural

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