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Moving Day Featured blending realism with a touch

Moving Day Featured blending realism with a touchNorman Rockwell painted Moving Day (The Saturday Evening Post, May 17, 1967) as a reaction to the integration of families in Chicago's Park Forest suburb during the 1960's. Two black children with white cat, stand in the driveway of their new home, while three white children with black dog, look at them with curiosity. The scene is filled with childish innocence and promise, the only signs of outside influence coming from two adults, one obliviously

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Description

blending realism with a touch of fantasy

Out Of The Shade III is an oil painting on a circular board

created using stencil and spray paint

James Hamilton’s biography reveals a complex

Moving Day Featured blending realism with a touchNorman Rockwell painted Moving Day (The Saturday Evening Post, May 17, 1967) as a reaction to the integration of families in Chicago's Park Forest suburb during the 1960's. Two black children with white cat, stand in the driveway of their new home, while three white children with black dog, look at them with curiosity. The scene is filled with childish innocence and promise, the only signs of outside influence coming from two adults, one obliviously

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